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For a moment Betty stood in an attitude of dejection, but suddenly her face brightened. The muscles at the corners of her mouth stiffened, her little pointed chin was thrust forward ever so slightly and a look came into her brown eyes which said plainly, “Never you mind, Moses Wopp, I’ll get money and more than two bits for my missionary box.”,
Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,
“Fer the love of mike, what’s that noise?” Moses’ eyes seemed to almost dart from his head. The others looked up as a distinct rustling was heard in the parlor. Moses was on his feet first. The noise came from the stove.,
Mrs. Bennett put down the pan of batter-cake dough and gave him his good-morning kiss. His head was level with hers. “Thank you, my big boy. Mother will soon have a man to look to. Go in and get your breakfast; you must be nearly famished.”
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Let us find our sweetest comfort,
“That big sand pile the kids made last week for a fort can be the Sierras, and we’ll tunnel, and have a loop, and—”,
“Mamma, Pretty’s finishing the lawn for me; can’t I rub the floors right now? The Gang’s coming and we want to do a lot to-day.”,
Before they turned into Main Street, however, the procession was in fair alignment, and the solemnity of the moment hushed all chatter. Billy’s most personal disappointment was Bouncer, who, unhappy because he could not caper in freedom at Billy’s heels, let his lovely, bushy tail, that usually waved above his back in a graceful curve, hang limp and dusty between his legs; while from drooping head and sad eyes, he looked reproachfully at Billy every time the latter ran past.
As he climbed down, reaching from branch to branch, very cautiously, he knew not why, he was suddenly halted by the sound of low voices. Carefully he crept nearer. A tiny hut came in view, with an open door, and the glint of fire within. A man was standing outside, smoking a pipe, yet wearing hat, coat, and gloves, as if about to set off. He was very large. His clothes were new and showy, too bright in color, too large of check. His watch chain was massive; the big diamond out of place with his colored shirt; and the soft silk handkerchief he drew from his pocket was a brilliant red, and the largest Billy had ever seen. Another man, in the doorway, was smaller and bareheaded. His sleeves were rolled up, and his hands were stained.
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Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.
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“Are—are you hurt bad, Jimmy?” came in a quaking voice.
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“Betty’s not goin’ to no kingdom come yet,” assured Mrs. Wopp, her optimism rising like a star of the first magnitude to lighten the darkness of her son’s midnight sky.
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Halin-Chen Response,
>Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
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